Excited to share that my track United As One (Instrumental), co-written with Darby Phillips, is featured in the final trailer for Netflix’s America’s Team: The Gambler and His Cowboys.

Multiple TV spots for Sony Pictures Classics’ Oh, Hi! feature music by Nathan Fields, including Entice, Swoon, and Eye for an Eye. Each track helps set the tone for the film’s offbeat mix of humor and tension.

Excited to share that the remix I worked on with Darby Phillips, “Make You Mine,” is featured in the Netflix trailer for Fall for Me, a German mystery-thriller set in Mallorca.

Music can make or break a product launch video. Here’s how to use it intentionally—to tell a story, create emotion, and make your message land.

If you’re trying to get into composing for film trailers, this is your starting point. From structure and workflow to sound selection and real-world expectations, here’s a clear, no-fluff breakdown of what it takes to get your music ready for high-stakes trailer placements.

A remix I created with Darby Phillips, “Make Me Feel,” landed in the Starz 2025 Sizzle. Always good to see the work out in the wild.

Most trailer cues don't fall short because of weak ideas—they miss because the sounds just don’t cut through. Echelon is a new cinematic Serum pack built specifically for sync, with no fluff and no filler. Just the kind of hard-hitting patches that hold up in real-world sessions.

From jamming in a teenage metal band to scoring trailers for films. Nathan Fields shares the story behind the sound.

Struggling with muddy mixes or low-end overload in your music? In this post, I break down why managing your low-end frequencies is essential for sync-ready tracks—heck, all tracks, period. Plus, how proper EQ and sidechaining can help your music shine, especially in the cinematic and trailer world.

-Nathan Fields

Wondering whether to become a music producer or audio engineer? This post breaks down the real differences between the two, helping you figure out which path matches your skills, interests, and creative goals.

Video game trailers have evolved into cinematic experiences—and sound is at the heart of it. Here's a look at how music shapes the stories we connect with, and how our recent work has played a part in that.

“Not A Game,” the latest release from Nathan Fields, Armanni Reign, and Darby Phillips, blends cinematic hip hop with raw emotion. Recently featured in Onside: Major League Soccer, it’s now streaming on Spotify.

Finding the right balance between music and dialogue in a soundtrack is essential for storytelling. By understanding the scene’s purpose, using audio tools like EQ and compression, and carefully choosing your music, you can create a mix that enhances both elements without letting one overpower the other.

A new cinematic track from Nathan Fields and Armanni Reign just dropped under Rareform Audio. Built for movement and tension, Energy was recently featured in the campaign for Paul American—a grounded, near-future story centered on power and transformation.

A cinematic sound pack built from real trailer music—Echelon gives composers and producers the tools to craft original, trailer-ready music that actually stands out.

Breaking into trailer music is about way more than just making epic tracks — it’s about understanding the real nuances that make a track land with picture. In this dispatch, I’m breaking down the key things every composer should know about structure, genre specialization, sound palette, and writing for the trailer world.

Big Stepper, a track by Nathan Fields and Darby Phillips, lands in this spot for The Accountant 2, the high-stakes sequel starring Ben Affleck as the numbers expert with a deadly edge.

Nathan Fields' track Out For Revenge brings dark cinematic energy to the official trailer for HIM, a psychological thriller produced by Jordan Peele and directed by Justin Tipping. The film hits theaters September 19, 2025.

Behind every powerful film trailer is a high-stakes battle to find the perfect music. With studios hiring multiple trailer houses to compete, music plays a crucial role in making each cut stand out. But what audiences don’t see is the intense selection process, the countless unused tracks, and the relentless pressure to create something unforgettable.

The first few seconds in music or marketing are like the opening line of a great story—they set the tone for what’s to come. Whether crafting a song or a campaign, those moments matter more than ever in a fast-paced, attention-driven world.